Da 5 Bloods is not an easy film. It is messy, loud, angry, and operatically sad. But it is also essential. It refuses to let America forget that its wars are fought disproportionately by those who have the least to gain. It argues that for the Black veteran, the war never ends—the blood never dries. And in that refusal to heal neatly, Spike Lee delivers one of the most powerful anti-war films of the 21st century.
In the sprawling, ambitious canvas of Spike Lee’s Da 5 Bloods (2020), the Vietnam War is not a relic of the past. It is a living, breathing wound that continues to fester, bleed, and demand payment. The film follows four aging Vietnam War veterans—Paul (Delroy Lindo), Otis (Clarke Peters), Eddie (Norm Lewis), and Melvin (Isiah Whitlock Jr.)—who return to the jungles of modern-day Vietnam. Their mission is twofold: to recover the remains of their fallen squad leader, the revered "Stormin'" Norman (Chadwick Boseman), and to find a buried cache of CIA gold they discovered decades earlier. Da 5 Bloods
On its surface, the film is a heist-war drama, but Lee quickly subverts the genre conventions of the traditional Vietnam movie. Unlike the weary, white-centric narratives of The Deer Hunter or Apocalypse Now , Da 5 Bloods centers the Black American experience. For these men, the war was not a crisis of American conscience but a betrayal within a larger, older war: the ongoing struggle for civil rights and dignity at home. Da 5 Bloods is not an easy film
Crucially, the flashbacks to the Vietnam War feature the younger actors (including a radiant Chadwick Boseman) alongside the older actors—no de-aging CGI. This choice creates a disorienting, ghostly effect. The past is not behind them; it is walking right next to them. Stormin' Norman serves as the moral compass, a revolutionary figure who quotes MLK and Huey Newton, arguing that Black soldiers should be fighting for liberation, not imperialism. His death is the original sin the Bloods must atone for. It refuses to let America forget that its