So here I am: My first blog post and my first tutorial. I’m not super confident at filming myself and trying to look natural. That’s why I work behind the scenes. But I wanted to teach my skills to people who might be interested. The video below took a few takes, and I’m pretty pleased with how it turned out, although I could still take some practice. Check it out, and I hope, if you like Adobe After Effects, you find this useful.
I decided to do my first tutorial on the Saber Plugin because I love that Plugin. As you will see from the video, I have used it many times in my professional work.
Here’s a quick quide on how to install it, which I didn’t go through in the video.
Download either the Mac or PC version from https://www.videocopilot.net/blog/2016/03/new-plug-in-saber-now-available-100-free/.
Find the downloaded .dmg file, usually in your Downloads folder.
Double-click the .dmg file to open the installation package.
The installer will prompt you to drag the Saber plugin file into the appropriate directory. Navigate to your Adobe After Effects plugins folder, typically: Applications > Adobe After Effects [Version] > Plug-ins
Drag the Saber plugin file into this folder.
Locate the downloaded file (usually in your Downloads folder) and double-click the installer to begin.
The installer should automatically detect your Adobe After Effects folder. If it doesn’t, manually point it to the correct directory, typically: C:\Program Files\Adobe\Adobe After Effects [Version]\Support Files\Plug-ins
Follow the on-screen instructions to finish installing the plugin.
So now you’ve installed it, check out my video to start creating some awesome stuff.
Where Broforce transcends its comedic premise is in its cooperative (couch co-op) mode. Playing alone is enjoyable, but playing with a friend is revelatory. The screen becomes a chaotic ballet of accidental friendly fire, stolen power-ups, and desperate, last-second rescues. You will inevitably rocket-jump into a pit of lava, blow up the platform your partner is standing on, or both get caught in a chain-reaction explosion triggered by a single enemy barrel. This chaos fosters a unique form of camaraderie. Victory in Broforce is not about perfect execution; it is about surviving the beautiful mess you and your partner have created together. It is a game that recognizes that true friendship is built not on flawless cooperation, but on laughing hysterically after accidentally launching your buddy into a wall of spikes.
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Perhaps the most controversial layer of Broforce is its political commentary. The enemies you fight range from generic Al-Qaeda stand-ins to alien invaders and, most notably, Satan himself (in a final boss fight that takes place inside the Infotainment Tower). The game’s climax involves bro-ing out on the back of a massive, bald eagle-shaped helicopter while the “Statue of Libroty” crumbles. It is unabashedly, almost uncomfortably, jingoistic. However, this jingoism is so exaggerated—so pixelated and patently absurd—that it reads less as genuine propaganda and more as a critique of the American interventionist mindset. The game parrots the language of “spreading freedom” but equates that freedom with the ability to explode everything in sight. It is a clever satire of the military-entertainment complex, suggesting that the “heroic rescue” narrative often obscures a chaotic, destructive reality. Where Broforce transcends its comedic premise is in
In the sprawling pantheon of independent video games, few titles wear their absurdity as proudly as Broforce . Developed by Free Lives and published by Devolver Digital, Broforce is not a game that asks for quiet contemplation or moral nuance. Instead, it arrives with the roar of a minigun, the flex of a pixelated bicep, and a 16-bit explosion that levels entire zip codes. To “Download Broforce” is to accept a specific, manic invitation: to tear down the temples of tyranny not with solemn duty, but with gleeful, muscle-bound chaos. Beneath its layer of satirical machismo and over-the-top violence, however, the game functions as a brilliant deconstruction of 1980s and 90s action cinema, a commentary on American foreign policy, and a masterclass in cooperative gameplay design. You will inevitably rocket-jump into a pit of
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