-1998- - Godzilla

Later, Toho officially recognized "Zilla" as a separate kaiju—one whose only power is speed and burrowing, who was killed by conventional missiles in its own film, and who is considered a disgrace to the Godzilla name. Is Godzilla (1998) a good Godzilla film? No. It ignores the character’s history, powers, and meaning.

When you say the name "Godzilla" to a movie fan, you usually get one of two reactions: a respectful nod to the Japanese original (1954) or a groan followed by the words, "That awful 1998 American one." For over two decades, Roland Emmerich’s Godzilla has been the black sheep of the franchise—a film so divisive that Toho (the Japanese studio behind the real Godzilla) famously disowned it and renamed the creature "Zilla." Godzilla -1998-

What do you think? Does the 1998 Godzilla deserve its bad reputation, or is it unfairly hated? Let me know in the comments. Later, Toho officially recognized "Zilla" as a separate

So grab some popcorn, turn off your inner fanboy, and enjoy it for what it is: the most expensive B-movie ever made. Just don’t call it Godzilla in front of a Toho executive. 2/5 Rating (as a cheesy 90s blockbuster): 4/5 It ignores the character’s history, powers, and meaning

Is it a fun, dumb, mid-90s disaster flick? It has a killer Jamiroquai song on the soundtrack, an awesome design for a different monster, and a solid third act. If you rename the creature "Giant Iguana from France," it’s an entertaining two hours.

When Roland Emmerich ( Independence Day ) finally signed on, he made it clear he was doing things his way. He famously disliked the original Japanese concept, calling Godzilla "too fat" and preferring a more agile, animalistic creature. The result? A $130 million summer blockbuster that opened to massive hype on May 20, 1998. The plot is pure 90s disaster-flick: French nuclear tests in the Pacific mutate an iguana into a 200-foot-tall monster. The creature swims to New York, lays a nest of eggs in Madison Square Garden, and generally wreaks havoc on Manhattan. On the human side, we have Matthew Broderick as Dr. Niko "Nick" Tatopoulos—a nerdy scientist who studies worms (yes, worms). He’s joined by a stereotypically sleazy reporter (Hank Azaria), a French secret agent (Jean Reno), and a love interest (Maria Pitillo) who mostly screams.