Here Comes — The Sun Beatles
Listen closely to the track. There is no cynicism. No irony. George’s voice, usually a dry, wry counterpoint to Lennon’s edge and McCartney’s showmanship, is suddenly vulnerable. He sings like a man convincing himself it will be okay.
Released on Abbey Road (1969), “Here Comes the Sun” was overshadowed at the time by the drama of the Beatles’ breakup. But over the decades, it has become the band’s most-streamed song on digital platforms. Why?
“I’m not going back,” he told Clapton. “Let’s just go for a walk.” here comes the sun beatles
At 1:43, the guitar solo arrives. In a band famous for fiery leads, George plays something astonishing: a melody . It’s not fast. It’s not loud. It bends and sighs like a man stretching his arms toward the light. It is the sound of a knot untying itself.
The year was 1969. The Beatles, the greatest creative partnership the world had ever seen, were suffocating. Business meetings had replaced bass jams. Yoko Ono sat on an amp. Paul and John weren’t speaking. The “Get Back” sessions had devolved into apathetic silence. George Harrison, the band’s quiet lead guitarist, had finally had enough. He walked out of a meeting at Apple Corps in early June, looked up at the gray London sky, and drove to his friend Eric Clapton’s house in the country. Listen closely to the track
They strolled through the gardens of Clapton’s Surrey estate. George picked up a borrowed acoustic guitar—a Gibson J-200—and sat on a lawn chair in the weak English sunshine. The clouds parted. Just for a moment. And out came a riff so pure, so childlike, it felt like it had existed forever: dun-dun-dun-dun-dun-dun-dun…
And it almost didn’t happen.
It is the universal antidepressant. It plays at the end of disaster movies ( Parent Trap ), during post-9/11 charity concerts, and at the funeral of George Harrison himself in 2001—where Eric Clapton and Paul McCartney stood together and played it one last time for their friend.
While Lennon gave us anger (“Working Class Hero”) and McCartney gave us nostalgia (“Yesterday”), Harrison gave us relief . He reminded us that no matter how dark the boardroom, how cold the argument, how long the winter… George’s voice, usually a dry, wry counterpoint to
“It’s alright.”
Eternal.
