Kamen Rider Build Tap 1 Direct

Ryuga Banjo is the emotional core of Episode 1. He is arrested for the murder of his lover, Kasumi Ogura, a crime he did not commit. When we meet him, he is a coiled spring of anger—wrongfully imprisoned, betrayed by a system he doesn’t understand.

This stands in stark contrast to the Smash, which are pure, unthinking chaos. Faust’s goal, revealed via the mysterious Night Rogue, is to create the ultimate chaotic being. Build is the answer to that: controlled chaos. Kamen Rider Build Tap 1

Introduction: A Gambatte Reboot

Sento Kiryu (Kamen Rider Build) is introduced not as a hero, but as a drifter. He lives in a café basement, playing guitar and acting aloof. But his defining trait is revealed immediately: He only knows that he was found in a suitcase near Skywall. Ryuga Banjo is the emotional core of Episode 1

Following the more light-hearted Kamen Rider Ex-Aid , Episode 1 of Kamen Rider Build (2017) arrives as a cold, calculated reset. Within its first five minutes, the show establishes a tone of paranoia, mystery, and science-fiction body horror. The title, “They Are the Best Match,” operates on three levels: the literal combination of FullBottles (Rabbit & Tank), the forced partnership between Sento Kiryu and Ryuga Banjo, and the volatile fusion of human will with alien technology (Pandora Box). This premiere is a masterclass in efficient world-building, introducing a fractured Japan, an amnesiac genius hero, and a transformation system that feels less like magic and more like a controlled explosion. This stands in stark contrast to the Smash,

Episode 1 of Kamen Rider Build ends not with a celebration, but with a question. Sento stands over Kasumi’s remains, Ryuga punches a wall in grief, and the Night Rogue watches from the shadows. The title card appears: “They Are the Best Match.” Who? Sento and Ryuga? Or Sento and his own lost identity?

This isn’t just set dressing. The divided Japan functions as a prison and a Petri dish. The Smash (the monsters of the week) are not demons; they are citizens of Touto who have been abducted and subjected to “Nebula Gas” experiments by Faust, a shadowy organization. The horror is systemic: your neighbor could be turned into a rage-beast overnight. Sento’s battles are not just about saving people—they are about stabilizing a fragile cold war. When he transforms, he is literally a weapon that could tip the balance of power, which is why Touto’s government (through Misora and her father) is so eager to control him.