I step into the clearing. The pollen touches my skin. The thrum becomes a harmony. And for the first time since the crash, Doc Ba stops being stranded.
Doc Ba’s medical tricorder, the one device that still works, reads them all as having zero neural activity. Flatlines. But their bodies are breathing, metabolizing, repairing minor wounds with impossible speed. They are not dead. They are installed .
Food is scarce. The local fauna—squat, six-legged things with too many eyes and a chittering that mimics human speech—are edible after a fashion. They taste of burnt copper and regret. Water I get from the bell-shaped flowers that only open when you sing to them. I’ve been humming the chorus of an old Milet song. It works. I don’t ask why.
He becomes home .
I cracked it open. Inside, instead of quantum memory cores, there was a beating heart. Human. Tagged with a bio-stamp: BAATAR, A. – CHIEF MEDICAL OFFICER .
I open my med-log. I type one last line.
My heart. Beating in a box, singing the same Milet chorus. Stranded on Santa Astarta -v1.1.0 Beta- -Doc Ba...
Today, I found the beacon. Not mine. A ship’s black box, half-swallowed by a glowing fungal mat. It was stamped with the Gilgamesh’s hull number, but the casing was warm, pulsing with a familiar rhythm. My pulse.
-Doc Ba...-
They don’t see me. They don’t hear me. They are listening . I step into the clearing
They are here. The other survivors. I found them in a clearing the ship’s cartographer never recorded. There are forty-seven of them. All crew. All wearing the same expression of beatific, vacant peace. They stand in a circle, perfectly still, as a fine, iridescent pollen drifts down from the canopy.
“The beta is stable. The patient is the vector. Patch 1.1.0 is love. Patch 1.1.0 is home.”
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