Rozema also breaks the fourth wall with playful intertitles (“Meanwhile, back in the land of the living”) and inserts shots of a young girl reading a fairy tale—reminding us that this is, at heart, a fable. A lesbian fable with a happy ending. In 1995, that was radical. Camille teaches the myth of Icarus—and warns against flying too close to the sun. Yet Petra is a sun. The film’s quiet genius is its refusal to demonize Camille’s faith. Instead, Rozema asks: What if the divine is found in the flesh? In one stunning monologue, Camille confesses to a priest not sin, but love. The priest, horrified, offers scripture. Camille offers nothing. She simply leaves.
In the mid-1990s, queer cinema was finding its mainstream footing, but often through grit and tragedy. The Boys in the Band (1970) had given way to Philadelphia (1993), a noble but devastating AIDS drama. Go Fish (1994) offered tender realism on a shoestring. Then, in 1995, Canadian filmmaker Patricia Rozema released When Night Is Falling —a film so lush, so unabashedly romantic, and so visually audacious that it felt like it had arrived from another dimension entirely. when night is falling -1995-
Thirty years later, Patricia Rozema’s sensual, lyrical romance remains a defiantly beautiful outlier—a lesbian love story unafraid of magic, myth, or happy endings. Rozema also breaks the fourth wall with playful
If you haven’t seen it, you’re not alone. Despite winning the Teddy Award for best queer feature at the Berlin International Film Festival, When Night Is Falling was overshadowed by bigger-budget contemporaries. But for those who found it—on a late-night VHS rental, a university film studies course, or a quiet streaming discovery—it has never let go. The film follows Camille Baker (Pascale Bussières), a quietly repressed professor of mythology at a Christian college in Toronto. She lives a scripted life: a handsome, devoted boyfriend (Henry Czerny), a choir directorship, and an apartment full of beige. Then, in a laundromat on a cold night, she meets Petra (Rachael Crawford), a bold, sharp-tongued circus performer with a mane of dark curls and a panther’s grace. Camille teaches the myth of Icarus—and warns against
